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Script
Story first, written with AI at our side. Premise, characters and beats are drafted, checked and rewritten in days. Every choice on the page is the writer’s.
Dreamsquare Studio · AI film studio
Where AItakesdirection.
The film you could never get financed is now makeable. Features, series and microdrama, written, cast and shot inside one studio.
Showreel 2026
Most AI video is a lottery. Ours is a production. We write, cast, storyboard and shoot inside one pipeline, so every shot lands where the director wants it.
The test for AI film is simple: do you forget, within a minute, that you are watching one? We direct performances until you do.
Features, series and vertical microdrama. Delivered in ten languages, acted, not dubbed.
Selected work
Films that look like films.
The first reel is in the edit. It screens for partners before it goes anywhere public.
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Picture held for the screening
Reel 01 · in the edit
The first screening is private.
One reel, cut for the people who green-light films. Ask for a seat and you see it before this page shows a single frame.
Ask for a seat →Control, not chance
Every frame, on purpose.
The difference between an AI clip and a film is control: over the camera, the character and the performance. This is what that looks like.
Shot 14 · one take35mm · f/2.0
One shot. Every frame where we want it.Camera, lens and light are set before we render.Lit, graded, and ready for the cut.
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Keep scrolling to move the playhead
Performance
Acting you believe.
The fear with AI film is mechanical faces. Ours are cast and directed: every shot has an actor’s objective, a tactic, an eyeline. Watch a scene and notice when you stop thinking about how it was made.
Character consistency
The same face in every setup.
Characters, locations and props are locked as reusable references before a single shot is rendered. Day or night, studio or rain: same face, same scars, same costume.
Multilingual delivery
The same scene, acted in ten languages.
Every language is its own take: same prompt, same locked character and set, played again in that language. The pauses, the emphasis and the timing sit where that language puts them. No dub laid over one mouth.
English
How we work
Script to screen, one pipeline.
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01Wide · 32 mm · slow push-in · 5 s
Attic, night. Mila asleep, the crayon fish above the bed.
02Wide · 24 mm · crane up · 6 s
The rooftop. A stair of light rises to the moon, the paper fish beside her.
03Full · 40 mm · tracking · 5 s
She climbs the cloud stair, the fish leading.
04Extreme wide · 18 mm · static · 4 s
The sand palace above the clouds, the stair at her feet.
05Close-up · 65 mm · handheld · 4 s
The glowing paper boat in her hands at the palace door, sand streaming from it.
06Medium · 50 mm · slow pull-out · 6 s
Morning. She wakes to the paper boat and a trail of gold sand on her pillow.
Shot list
The Directors Pipeline reads the scene and drafts every shot: size, lens, movement, duration and the logic of the cut. The director signs off each one before anything is shot.
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Cast & sets
Characters, locations and props locked as reusable references, so nothing drifts between shots.
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Storyboard
One keyframe per shot, checked against the shot list before we commit to motion.
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Animatic
Stills, voice and music cut together. We fix pacing while it is still cheap to fix.
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Low-res render
The whole cut rendered small and cheap first. Shots still change here, before the expensive compute is spent.
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Final render
The approved cut at full quality: animated, lip-synced and graded. Delivered in any language, any format.
Want proof? Bring a scene.
We run a paid pilot: your scene, through our full pipeline. You keep the rights to everything we shoot.
Original IP
Stories we own.
Five originals in the works, none announced. The formats are below. The titles wait for the first screening.
No. 01
In the edit
Title withheld
Microdrama
No. 02
On the page
Title withheld
Feature
No. 03
In the edit
Title withheld
Short
No. 04
In production
Title withheld
Series
No. 05
On the page
Title withheld
Microdrama
All five open to co-production and licensing. Ask, and we tell you more than this page does.
Co-productions
Make it with us.
We develop our own stories and bring the same pipeline to partners who want to make theirs. Three ways to work together, from a single pilot to a full production.
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Develop
Bring a script or a book. We take it through the pipeline to a look-dev pilot you can show to buyers.
- Previz & look development
- Pilot scene in two weeks
- Budget and schedule for the full run
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Produce
Full production of a series, feature or microdrama slate. Rights and credits structured the way your deal needs.
- Script to final render
- Ten-language delivery
- Platform-ready masters
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Hybrid
AI shots inside a live-action production: establishing shots, VFX-heavy sequences, pickups you could not afford to shoot.
- Matched to your footage and grade
- Character and set continuity
- Fast turnaround on changes
Who we work with
ProducersBroadcastersStreamersBrandsPublishersGame studios
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languages, each one its own take from the same prompt
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pipeline stages, each with a check before the next
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microdrama season, written and produced in days
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team from the first line of script to the final grade
Contact
Start a conversation.
Tell us what you are making. We read everything and reply within two working days.
Or write to us directly
[email protected]